Yasmin sketches

Charcoal on paper, 42 x 59.7cm

It is hard to capture the likeness of people but I think I am slowly making progress with Yasmin. I still have some way to go but little by little I’m learning how to draw her better. Funnily it is easier to work when she is busy doing something else rather than trying to sit still for me. Those stiff poses I really struggle with. The images below are other sketches completed recently.

Charcoal on paper, 42 x 59.7cm
Charcoal on paper, 59.7 x 42cm

Live reptile drawing class

Pinup at RDS

Today’s class consisted of four life drawing sessions with a corn snake, chameleon, white python and bearded lizard. We’d been warned of this reptile invasion and despite my initial lack of enthusiasm I was entranced by these beautiful and gentle animals.

I’d have never thought of describing a snake as ‘cute’ but they were. Strong too and inquisitive both of us and the studio space they found themselves in.

Charcoal on grey paper, 29 x 45cm

Memory drawing

Charcoal on paper, 90 x 63cm

One of the drawing exercises this week at RDS was to study a figure for 5 minutes before making a drawing from memory. We were allowed to make notes and very quick sketches in this preparatory period but were then left to make a large drawing.

Theo, our canine model, was fantastic. It was strange how easy it was to capture the likeness of a pet but so hard with a human figure. It revealed how we are so plagued by preconceptions of human form that they get in the way of making good drawings.

Tottenham Art Classes

Conte pencil on paper, 41 x 50cm

Taz and Tom run Tottenham Art Classes focusing on life drawing sessions at the Beehive Pub off Tottenham High Road on Thursday evenings. Having moved to South Tottenham several years ago, to discover there were no local life-drawing classes, they decided to set one up of their own. The untutored sessions have a good mix of people of all drawing abilities who are extremely helpful and encouraging. A beer, life model and drawing makes for a great creative evening.

Candid Art

Pencil on paper, 63 x 90cm

Through the autumn of 2018 I attended several drop-in life drawing classes at Candid Art behind Angel Islington, London. They were busy sessions with interesting and good models. Typically, as with lots of classes, they started with quick 5 minute poses and drawing warm-ups, that gradually extended. After a coffee break there would be a longer pose of 45-50 minutes and the drawing above is the result of one of these.

Initially the model seemed difficult and uninteresting to draw because of their slight frame. This can sometimes make a figure’s appearance look disproportioned with too long legs and arms. However, somehow I managed to capture this elongation and angular form, with a good likeness. The model was a delight to draw, with interesting folds and a slightly collapsed position on the studio’s chair.

Collaborative drawing

Charcoal on paper, 63 x 90cm

We spent much of last Wednesday’s class at RDS using our non-drawing hand for mark making and swapping our work from 20 minute model poses with others. The above is a joint effort from myself and Veronica using our good hands.

It really provokes a different way of working and thinking when trying to interpret another’s drawing. For me using someone else’s work felt like using a road map where some of the picture’s journey had been outlined and I was adding to it by helping give direction. A kind of filling-in or fleshing out of another’s work. It also showed how others observe shapes and form and how technically they work, challenging you immediately to look more closely and differently and to adjust the ways you’d usually draw.